HAPPY MONDAY E TUESDAY – THE SPACE CINEMA – QUARTUCCIU E SESTU – 8-9 APRILEHAPPY MONDAY AND TUESDAY – THE SPACE CINEMA – QUARTUCCIU E SESTU – AVRIL 8 TO 9 Reviewed by admin on . Great offer by the film The Space Quartucciu and Sestu: the traditional doubles and happy Monday this week the offer will be for Siberian Education at € 2.50 on Great offer by the film The Space Quartucciu and Sestu: the traditional doubles and happy Monday this week the offer will be for Siberian Education at € 2.50 on Rating:

HAPPY MONDAY E TUESDAY – THE SPACE CINEMA – QUARTUCCIU E SESTU – 8-9 APRILEHAPPY MONDAY AND TUESDAY – THE SPACE CINEMA – QUARTUCCIU E SESTU – AVRIL 8 TO 9

happycinema

Great offer by the film The Space Quartucciu and Sestu: the traditional doubles and happy Monday this week the offer will be for Siberian Education at € 2.50 on Monday and the great and powerful Oz in 3D on Tuesdays at 3.50 €

Plot of the movie Siberian Education:
“Siberian Education” is a strange kind of “education.” It ‘education criminal, but with precise and sometimes surprisingly acceptable, rules of honor. The story takes place in a region of southern Russia and spans a period of time ranging from 1985 to 1995. In those years is one of the most important changes in our contemporary history: the fall of the Berlin Wall and the subsequent disappearance of the Soviet Union with all that this event has also resulted in economic and social relations of the entire planet. Inspired by the novel by Nicolai Lilin (published by Einaudi), in which the ‘author recounts his childhood and adolescence in a community of “Honest Crime” Siberian, as they like to call themselves, the film tells the story of children who transition from childhood to adolescence, and the community in which they grew up, representing, through a very particular microcosm, a universal story, beyond the social, acquires a metaphorical meaning that concerns us all.

HAPPYMONDAYTUESDAY

Oscar Diggs, Oz said, is a magician by trade and a seducer, who deceives viewers and girls with conjuring tricks and promises to be a sailor. Jumped on a hot air balloon to escape from a rival, finds himself transported by a tornado in the fairy land of Oz. He discovers that the good people of the world believes the long-awaited savior, a prophecy that indicates how a magician came from heaven to defeat the evil witch. Attracted by the royal treasury for grabs, Oz goes on a journey in search of the witch, but the yellow brick is above all a moral path, which depart from egoism of departure and will make him a legend of magnanimity.
It is definitely a particular path also what led Sam Raimi from horror independent home Disney, but in this case, there is a sign, very clear, and the inscription “cinephilia.” For the prequel to the Wizard of Oz narrative that fits in its own way in the current serendipitous that exploits the backstories of the characters to give them new life, Raimi is the right man, perfect for hybridizing past and present, cinema, past and tomorrow, with a focus this time more on the first and second term.
It is easy to find a certain familiarity with Tim Burton, due to the presence to the music of Danny Elfmann and, on the scene, a pair Franco-Raimi that more and more thinking about the association Depp-Burton Act, it is clear that the guiding spirit of the Great and powerful Oz, however, is the film of Fleming, a masterpiece by accident but absolute masterpiece. From Kansas in black and white at the start of the final sequence, the eye of the storm to ballet tinsmiths and quadrangles to the creation of a group – the Magician, Finley, the girl made of porcelain, Glinda – which looks like the original adventure, it is clear that the comparison was voluntarily sought and never removed. To the point of work as a brake, because one is left with no doubt that more freedom would not have failed.
But the film is faithful to the source material even and especially where you can not see: for example in the use of special effects, extraordinary at the time and declined in a more personal and horror today that are the norm in the recovery of the book – the visit to the city of porcelain, but also the glasses with lenses emerald green (which here becomes a way to wink at the audience, who is wearing the 3D glasses), or in the appearance of Theodora after the transformation, which follows the Wicked Witch of the West . Proceeding further on this golden path and cinephile, meet the Don Quixote of Orson Welles, the praise of Edison and praxinoscope, and, more generally, a celebration explicit and repeated (without a trace of snobbery) the greatest of illusions , Cinema, capable of doing a little man a great and powerful wizard.happycinema

Great offer by the film The Space Quartucciu and Sestu: the traditional doubles and happy Monday this week the offer will be for Siberian Education at € 2.50 on Monday and the great and powerful Oz in 3D on Tuesdays at 3.50 €

Plot of the movie Siberian Education:
“Siberian Education” is a strange kind of “education.” It ‘education criminal, but with precise and sometimes surprisingly acceptable, rules of honor. The story takes place in a region of southern Russia and spans a period of time ranging from 1985 to 1995. In those years is one of the most important changes in our contemporary history: the fall of the Berlin Wall and the subsequent disappearance of the Soviet Union with all that this event has also resulted in economic and social relations of the entire planet. Inspired by the novel by Nicolai Lilin (published by Einaudi), in which the ‘author recounts his childhood and adolescence in a community of “Honest Crime” Siberian, as they like to call themselves, the film tells the story of children who transition from childhood to adolescence, and the community in which they grew up, representing, through a very particular microcosm, a universal story, beyond the social, acquires a metaphorical meaning that concerns us all.

HAPPYMONDAYTUESDAY

Oscar Diggs, Oz said, is a magician by trade and a seducer, who deceives viewers and girls with conjuring tricks and promises to be a sailor. Jumped on a hot air balloon to escape from a rival, finds himself transported by a tornado in the fairy land of Oz. He discovers that the good people of the world believes the long-awaited savior, a prophecy that indicates how a magician came from heaven to defeat the evil witch. Attracted by the royal treasury for grabs, Oz goes on a journey in search of the witch, but the yellow brick is above all a moral path, which depart from egoism of departure and will make him a legend of magnanimity.
It is definitely a particular path also what led Sam Raimi from horror independent home Disney, but in this case, there is a sign, very clear, and the inscription “cinephilia.” For the prequel to the Wizard of Oz narrative that fits in its own way in the current serendipitous that exploits the backstories of the characters to give them new life, Raimi is the right man, perfect for hybridizing past and present, cinema, past and tomorrow, with a focus this time more on the first and second term.
It is easy to find a certain familiarity with Tim Burton, due to the presence to the music of Danny Elfmann and, on the scene, a pair Franco-Raimi that more and more thinking about the association Depp-Burton Act, it is clear that the guiding spirit of the Great and powerful Oz, however, is the film of Fleming, a masterpiece by accident but absolute masterpiece. From Kansas in black and white at the start of the final sequence, the eye of the storm to ballet tinsmiths and quadrangles to the creation of a group – the Magician, Finley, the girl made of porcelain, Glinda – which looks like the original adventure, it is clear that the comparison was voluntarily sought and never removed. To the point of work as a brake, because one is left with no doubt that more freedom would not have failed.
But the film is faithful to the source material even and especially where you can not see: for example in the use of special effects, extraordinary at the time and declined in a more personal and horror today that are the norm in the recovery of the book – the visit to the city of porcelain, but also the glasses with lenses emerald green (which here becomes a way to wink at the audience, who is wearing the 3D glasses), or in the appearance of Theodora after the transformation, which follows the Wicked Witch of the West . Proceeding further on this golden path and cinephile, meet the Don Quixote of Orson Welles, the praise of Edison and praxinoscope, and, more generally, a celebration explicit and repeated (without a trace of snobbery) the greatest of illusions , Cinema, capable of doing a little man a great and powerful wizard.

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